Santuzza tells him that his wife has betrayed him with Turiddu. Just then Lola passes by on her way to church. He loosens her hands, throws her to the ground, and enters the church. Forgetting his role and the play, he demands that Nedda tell him the name of her lover. Marcelo Álvarez takes on the rare feat of singing both leading tenor roles. Later in the morning, a distraught Santuzza approaches the tavern of Mamma Lucia, Turiddu’s mother, who tells her that her son is away buying wine. The women leave, taking Lola with them.
Santuzza tells her that he was seen during the night in the village. Turiddu arrives in the piazza. Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the two operas in the same Sicilian setting, separated by two generations. Met Principal Conductor Fabio Luisi is on the podium. All understand that trouble is in the air. Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the two operas in the same Sicilian setting, separated by two generations.

A small theatrical company has just arrived and Canio, the head of the troupe, advertises the night’s performance to the gathered crowd. In Cavalleria, he is Turiddu, the young man who abandons Santuzza (Eva-Maria Westbroek) in his pursuit of the married Lola (Ginger Costa-Jackson)—and ends up being killed in a duel with her husband, Alfio (George Gagnidze). Marcelo Álvarez takes on the rare feat of singing both leading tenor roles. The choir inside the church is heard singing the Turiddu arrives. Santuzza faints and Lucia collapses in the arms of the women villagers. Tonio, who has returned and overheard the end of their conversation, alerts Canio, but Silvio manages to slip away unrecognized. Arnold Schwarzenegger This Speech Broke The Internet AND Most Inspiring Speech- It Changed My Life. When she says that Turiddu has gone to get more, Alfio replies that he saw him near his house that same morning. Santuzza approaches and throws her arms around her. When Pagliaccio unexpectedly appears, Harlequin slips away. The two reaffirm their love, and Silvio persuades Nedda to run away with him that night.
Following Sicilian custom, the two men embrace, and Turiddu, in a token of acceptance, bites Alfio’s ear, drawing blood which signifies a fight to the death. Cavalleria rusticana (pronounced [kavalleˈriːa rustiˈkaːna]; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name [] and subsequent play by Giovanni Verga.Considered one of the classic verismo operas, it premiered on 17 May 1890 at the … It received its London premiere at the American producers vied with each other (sometimes through the courts) to be the first to present the opera in that country. At dawn on Easter Sunday, Turiddu sings in the distance of his love for Lola, wife of the carter Alfio. One of the villagers suggests that Tonio is secretly courting Canio’s young wife, Nedda. She and Turiddu had been a couple before he joined the army. Lucia, weeping, wanders aimlessly around outside her house. Alone, Canio gives in to his despair—he must play the clown even though his heart is breaking.That evening, the villagers assemble to watch the performance, Silvio among them. Mascagni calls for a standard-sized orchestra consisting of 2 There have been over 100 full-length recordings of Few listened. The first, Although Mascagni had started writing two other operas earlier (In 1890, following its run of sold-out performances at the Teatro Costanzi, the opera was produced throughout Italy and in Berlin.

Santuzza upbraids him for pretending to have gone away, when he was actually seeing Lola. Alfio joins them. Turiddu turns to follow Lola, but Santuzza begs him to stay. When he returned and found her married to Alfio, he seduced Santuzza but now has abandoned her and rekindled his relationship with Lola. In a brief exchange of words, Alfio challenges Turiddu to a duel. Turiddu is in high spirits because he is with Lola and Santuzza appears to have gone. She looks up to the sky, envying the birds their freedom. Canio warns them all that he will not tolerate any flirting offstage—life and theater are not the same.

Alfio leaves and Turiddu calls Lucia back. In fact, Nedda does have a lover—Silvio, a young peasant, who suddenly appears. Santuzza begs him to stay and implores him not to abandon her. But public receivers had been set up in several well-advertised locations in New York City, and people could catch at least an inkling of the music on earphones. Lola enters the square singing.

Turiddu offers him wine, but he refuses it. Turiddu pushes her away. She clings to him. Refusing to listen, Turiddu leaves, and Santuzza curses him. Santuzza asks for Turiddu, but Lucia replies that he has gone to another town to fetch some wine. In Pagliacci, Álvarez is Canio, the leader of a traveling vaudeville troupe. Mascagni heard about the competition only two months before the closing date and asked his friend Giovanni Targioni-Tozzetti, a poet and professor of literature at the There have been two other operas based on Verga's story. Turiddu rushes out.